![]() Five years on, he traded the salt flats of Utah for the marbled corridors of the nation’s capital and the National Endowment for the Humanities, where “I could both expand my skills, and broaden my impact,” he says. This revelation and evolving passion led ultimately to Johnson’s decision to hit the road again. Storytellers who are rarely heard from, he discovered, could find their voices there. At the state’s humanities council he dived into grantmaking. Instead, he wanted to bring history and the humanities to a much broader audience.ĭoctorate in hand, he found a job in his home state of Utah. Halfway through his doctorate, however, he discovered he didn’t want to be a professor. After a third-place finish in National History Day with a project on William Tecumseh Sherman, graduate school began looming on the horizon.īy the time he arrived at the University of Chicago, his commitment to academic history was unwavering. Getting to that juncture wouldn’t have necessarily happened if he hadn’t discovered in high school that history was his thing. That lively dynamic is what makes Johnson go. ![]() “Once people start talking and listening to one another, within their own communities and with others in theirs, our democracy gets a lot stronger.” New Mexico is one of America’s great cultural crossroads, and so, to take full advantage of its diverse settings, there have to be interlocutors at the ready and in sufficient numbers. ![]()
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